Alan Lomax’s Astounding ’30s Haiti (African rooted music and video) Archives Released

Haitian Musicians - Pix by Alan Lomax

Haitian Musicians - by Alan Lomax

“These were recorded right after one American ‘adventure’ in Haiti, so there were enormous shifts in attitude there after that,” Averill says. “It was definitely a fervent period for nationalism and African orientation, with Haiti viewing itself as of African heritage rather than as a weird colony. So here we are following the last American occupation, and Haiti really has the challenge to get itself into governance shape to direct its own affairs and to change the global perceptions of Haiti.”

And into this stepped Alan Lomax, just 21 when he arrived, fresh off various projects with his father, folklorist and musicologist collector John Lomax, and determined to develop a comprehensive collection of African-rooted music in the Americas.

In 2005, ethnomusicologist Gage Averill found himself introducing pioneering African-American dancer Katherine Dunham at an event. Dunham, who passed away in 2006 at age 96, was being honored in part for her invaluable studies of music and dance in Haiti in the 1930s, delving deep into the history and aesthetics of arts forged in the island crucible fueled by the cultures and travails brought by African slaves. Haiti had served as one of the key way stations for the slave trade in the West, a history full of tragedy and oppression that nonetheless forged truly rich and unique culture and ultimately shaped key aesthetics throughout the Americas. When Dunham had been there, many of the old ways were dying in the growing shadow of the modern industrialized world.

Averill, currently professor of history and culture specializing in Caribbean studies at the University of Toronto, had for several years before the event been involved in a project to research and release material from the massive sound and film archives recorded in 1936 and ’37 by American song collector Alan Lomax during his trips to Haiti. The material, kept in the Library of Congress and long unexamined, was the results of an arduous adventure in which the young Lomax lugged cumbersome recording equipment around on buses (he had no private transportation on the visits) even while suffering from malaria. Despite all that, he was able to gather an unbelievable 1,500-plus recordings covering the full range of music: work songs, religious music, vodou and rara ritual, children’s songs, mérengue and other social dance styles among them.

Take ‘Mesi Papa Vensan’ (“Thank You Papa Vincent”), by Surprise Jazz, which is the first song on ‘Alan Lomax in Haiti,’ a collection being released Nov. 17 culled from the archives — 287 song, more than nine hours of music, on 10 CDs, plus six films Lomax shot at the same time.

Explains Averill, “Recorded in an elite club, this small ‘jazz’ orchestra with clarinet lead plays a popular tributary méringue song for the President of Haiti, Sténio Vincent, and the lyrics consist of a recitation of the ways that that the president had benefited the lives of Haitian common people. Jazz had come to Haiti with the American Marines and with recordings, and mixed with the urban form of the méringue, it was the music of choice in the dancing establishments along the waterfront in Haiti of the 1930s.”

Averill is expecting a lot of variations of that scene with the release of this great wealth of material films.

“This will have an interesting effect — I can’t say what — in Haiti itself,” he says. “It might change what people are singing, what vodou pop ensembles are performing. This additional impact in Haiti will be curious and interesting — I hope and think it will. People in Haiti have been hungry for this.”

With civil wars, poverty, long stretches of military rule, the nation’s history has at best been ignored on the island. Archives have been destroyed. But the advent in recent years of a stable government has created an environment that he believes will receive these materials with great interest.

“There’s a cultural ministry and whole nation willing to understand its history,” he says. “And suddenly we drop this large archives into their laps. Going to be fascinating to follow the path of this and see how it rolls out and what it changes in Haiti.”

This endeavor will get a high-profile assist. The project is being done under the auspices of the Haiti Repatriation and Cultural Preservation Project of the Lomax-founded Association for Cultural Equity — of which Lomax’s daughter Anna L. Wood is the director. And that in turn was selected for support by the Clinton Global Initiative and the Green Family Foundation.

But Averill already experienced some of this just in the course of researching the material with his colleague Louis Carl St. Jean.

“We would have a problem, something mentioned in a song about something, and we’d have no idea,” he says. “So Louis would say he’d call his aunt and she said, ‘I know an old mambo,’ and he’d get on the phone with a 78-year-old mambo and play the recording over the phone and get a comment. Old priests saying, ‘I can’t believe they sung that up there like that!’ Or ‘I thought that died out; I hadn’t heard that since I was a kid.’ When we bring this around, we’re playing the voices of ancestors from generations past. It’s a family reconnection project.”

It also shines a light on what was a very interesting time in Haiti.

Excerpt from Spinner.com post by Steve Hochman

TRIBUTE IN LIGHT – A Memorial by Oliver O. Mbamara

TRIBUTE IN LIGHT - TOWERS OF LIGHT           - pix courtesy starz

TRIBUTE IN LIGHT - TOWERS OF LIGHT - pix courtesy starz

TRIBUTE IN LIGHT (A Memorial)

And on the eleventh day of the ninth month,
Mayhem came calling in the garb of terror,
Leaving in its wake, the trail of tragedy,
Lost lives and limbs and ways of living,
Collapsed and buried with the twin towers,
Many hearts broken, many lives changed,
And where once stood gigantic structures,
Lay remnants and debris that became Ground Zero.

And many years gone, like few days past,
From the ruins now rise two towers of light,
Two beacons of hope, two columns of comfort,
United beams of radiant light across the East river,
Piercing the nighttime sky far into the ethers,
A sight to behold, visible from miles around,
Illuminating with cheers, the burdened city of York
And once again, rays of hope return to liberty town.

And Ground Zero becomes the Ground of Light,
As twin beams of blue light shine into the night,
Beckoning on all passing souls to ride the current,
Inviting the angels to come welcome them home.
For thirty-two nights at least, the light will shine,
But beyond the light, will last the sustaining current,
And despite mortality, the immortal shall ascend
The radiant ethers, a gift of love, a tribute in light.

Oliver O. Mbamara, Esq.
© 2002/updated -09-09

Excerpts From 9/11 tribute poem
(Inspired by the two towers of blue light at the 9/11 Ground Zero in New York)

POEMS OF FREEDOM

http://www.Poemsofsoul.com

BIKERS IN NIGERIA (Photo of the Week)

BIKERS IN NIGERIA (Photo of the Week) submitted by O. Adaba

BIKERS IN NIGERIA - Photo of the week submitted by O. Adaba

BIKERS IN NIGERIA - Photo of the week submitted by O. Adaba

Everything a Mom says in a 24 hour period…

We have chosen to feature this version of the “Mom Song” by the Northland Church because of its well paced subtitles. It is set to the “William Tell Overature” (lyrics by Anita Renfroe). The video speaks for itself.  Enjoy!

Saving Children Branded as “Witches” in Africa

Mags Gavan, Redrebel Films

CRARN Children accused of being witches and wizards, protesting outside Gov's headquarters

Even as we celebrate love, hope, and unity across the world with the dawn of the Obama era, let us remember those who may not have the voice loud enough to bring attention to their plights. Sometime ago, we brought your attention to the plight of the people of the Niger-Delta whose environment have been and continues to be polluted through gas-flaring and other oil production related activities by some of the world’s biggest and richest oil companies. (To read details and see video please scroll down)
Now, we bring you the story of thousands of children branded witches and wizards by some religious and local priests and  institutions in Africa. We wonder what could be the convincing proof for subjecting these children to instant condemnation, harm and death. Also, we wonder how many children have been mistakenly or ignorantly killed because of this belief. For the full story, please see our NOTICE BOARD

NOTE: One British charity worker is fighting to help the children stigmatised as witches.He decided to help raise money for the refuge – the Child Rights and Rehabilitation Network (Crarn) – and try to persuade the parents to take their children back. He has also helped to build a school for the children who are refused places at local schools.
“Any Christian would look at the situation that is going on here and just be absolutely outraged that they were using the teachings of Jesus Christ to exploit and abuse innocent children,” says Mr Foxcroft whose expose of what he describes as “an absolute scandal” will be screened in a Channel 4 documentary on Wednesday, November 12, 2008 at 9PM.

To help these children, please visit http://crarn.tripod.com/id6.html

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Yes, We Can! – The Chant of a New World

Grant Park Chicago - Crowd listens to Obama's victory Speech

Across the world, from America to Africa, Europe, Australia, Asia, and more, crowds of people  with different races, color, gender, and calling,  came together to celebrate the dawn of a new era.  Many were touched and some openly shed tears as President-elect, Barack Obama gave his victory speech. Below is a poetic impression. Please enjoy!

Yes, We Can!
(The Chant of a New World)

Hearts of joy, faces of hope, smiles of love
A sea of heads, a multitude of people
Chanting voices, echoes and rhymes
Across the world, we celebrate the moment
As tears of joy stream down our cheeks

Undivided by any seeming difference
Race, creed, gender, or preference
We hug with love and friendly warmth
And wave in appreciation of history made
Evidence of a nation that has come so far

The 44th President has come with hope,
And we are reminded of our better nature
From Kansas, USA, to Kenya, Africa
Ready, willing, renewed, and eager,
Yes, we can overcome our challenges

Poems of Freedom
© Oliver O. Mbamara,  November 6, 2008

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This STAIRWAY of Life – What must it feel like?

Someone sent this picture to us with a brief statement about how it must feel to …..
Well, we think the picture speaks more volume than words can express. So we leave you to feel and fill in the rest.

Barack Obama in the STAIRWAY

Barack Obama in the STAIRWAY

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